HERITAGE

THE ORIGINS OF THE HOUSE

"ACCEPT ONLY PERFECTION. ONLY MANUFACTURE WATCHES OF THE HIGHEST QUALITY."

In keeping with its watchword, which has today become the House motto, the Baume family laid the foundations for a family business that would go on to become Baume & Mercier. It all began in 1830 when Louis Joseph Baume opened a watchmaking counter in Les Bois, a village of the Canton of Berne in Swiss Jura. Four years later, his sons, Louis-Victor and Célestin Baume, registered the business under the name “Frères Baume, la Famille Louis Joseph.” Driven by their enthusiasm and skills, the company – and watchmaking in a larger sense – quickly developed through the creation of exceptional pieces featuring cutting-edge innovations.

baume et mercier heritage

Watchmaking counter, Les Bois, Swiss Jura

1840 - INTERNATIONAL EXPANSION

The Baume Brothers opened a branch in London, allowing the brand to expand throughout the British Empire and Far Eastern markets including India, Australia, and New Zealand. At the time, England was particularly attentive to chronometry, since exact time measurement provided strategic precision in both commercial and military maritime operations. This pioneering choice, reflecting the spirit of the House, would allow Baume & Mercier to become renowned for its watchmaking savoir-faire.

1851 - THE INTRODUCTION OF THE LÉPINE CALIBER IN THE JURA

The Baume company pioneered the introduction of the Lépine caliber in the Jura. This new movement structure profoundly improved the reliability, solidity, and appearance of watches. It quickly became widespread, making a considerable impact on the company’s prosperity, though the manufacture of the new movement required modifications in its production methods.

KEW OBSERVATORY

In the late 19th century, the House triumphed in the most exacting chronometry competitions, including the most prestigious among them: that of the Kew Observatory in England. The first time it participated in the Kew Teddington competition, in 1885, three of its Swiss-made watches placed in the top seven. The next year, four of its watches won awards. In 1887, the company achieved the highest score of the competition (85.1 points out of 100) with a split-seconds chronograph. In 1892, its keyless chronometer with tourbillon escapement swept the board, achieving a total score of 91.9 points. That set an all-time record that was only broken a decade later in 1903.

INTERNATIONAL RECOGNITION

From 1860 to 1910, the Baume House participated in the World’s Fairs of Paris, London, and Geneva, where it won ten Grands Prix and five gold medals. These awards acknowledge the most innovative and highest-quality products of their respective years.


THE '20-'30s: THE EARLY YEARS OF THE HOUSE

A FORTUITOUS ENCOUNTER

The House destiny, and its watchmaking vision, took a decisive turn in 1918 when William Baume – a talented, ingenious, avant-garde watchmaker – joined forces with Paul Mercier: a cosmopolitan aesthete with aristocratic mannerisms, a visionary with ties to the art world, and a skillful businessman. As soon as they met in 1912, the two men immediately struck up a friendship and a complementary companionship. On August 27, 1920, they founded “Baume & Mercier” in Geneva, initiating a dialog between watchmaking expertise and a passion for design that would be passed down through decades and successive collections. One man’s pragmatism was balanced by the other’s artistic sensibility, placing the emphasis on aesthetics through ultra-slim timepieces for men and jewelry watches for women.

baume et mercier heritage

William Baume and Paul Mercier

THE QUALITY SEAL

As soon as Baume & Mercier was founded, William and Paul oriented their production to high-end watches with contemporary allure. While the Brand was registered in 1920, the Department of Commerce and Industry of the Republic and Canton of Geneva issued a certificate on March 10, 1921 attesting that Baume & Mercier ranked first for the number of pieces stamped at the Official State Office during the year 1920.

ACCLAIM FOR JEWELRY WATCHES AND ULTRA-SLIM WATCHES

In July of 1920, Baume & Mercier timepieces met with great success at the Geneva watchmaking fair, eliciting enthusiastic reactions from the press. One journalist stated, “We should highlight the exposition of six-line jewelry watches and ultra-slim watches by Mr. Baume and Mr. Mercier of Geneva, Granges and Bienne. Their House offers a remarkable array of exquisite movements and small calibers.”


THE '40-'60s: TECNICAL AND AESTHETIC

THE LEGACY OF WILLIAM BAUME AND PAUL MERCIER IS CARRIED FORWARD

In 1935, William Baume retired from the House for health reasons, and Paul Mercier concluded his career two years later in 1937. However, the legacy of William and Paul was carried forward by two fresh faces at the House, Ernesto Ponti and Constantin de Gorski. Enesto Ponti, a Piémontese jeweler, took up the design of precious watches with the support of the many Ponti and Gennari branches in Lyon, Geneva, and Zurich. Constantin de Gorski was a brilliant intellectual and art lover who raised racehorses and threw spectacular receptions as a member of the café society of Geneva. While he would never be the director of Baume & Mercier, he played a major role in the company’s development as president.

1946 - THE TRIUMPH OF THE MARQUISE

In the late ’40s, Baume & Mercier launched one of its great successes: the Marquise, a watch design that revolutionized women’s post-war watch fashion. Carried forward by this momentum, the Brand produced women’s watches of exquisite creativity and incredible modernity, proving that a ladies’ timepiece could be much more than just a miniaturized, somewhat oversimplified interpretation of a men’s watch. A technical achievement of its time in the service of jewelry watches, the Marquise featured a case linked by invisible hinges to the ends of the two curved bracelet links. Whether equipped with the Lépine caliber or nestled within a hunter case, whether plain or bejeweled, the Marquise was the epitome of the jewelry watch at the time. Released in several versions – gem-set or topped with an openworked dial cover –, it remained Baume & Mercier’s best-selling watch until the 1960s, establishing the Brand’s reputation in the field of ladies’ jewelry watches.

THE CHRONOGRAPHS

Throughout the 20th century, chronographs remained one of the great Baume & Mercier specialties. In 1952, Baume & Mercier acquired the C. H Meylan Watch Sa manufacture located in Le Brassus. Based on its solid reputation for crafting simple and complicated movements, as well as “extra, ultra, and exceptionally slim” calibers, Baume & Mercier ramped up its production and the reputation of its chronographs to meet the period’s high market demand.

THE PHI AS A SYMBOL OF BALANCE FOR BAUME & MERCIER

When Baume & Mercier adopted the Greek letter Phi – symbol of the Golden Ratio, divine proportions, and natural balance – in 1964, the Brand solidly established the spirit of design as part of its DNA. Since then, the emblem has appeared on all the Brand’s pieces. Its shape watches, imbued with bold, unbridled creativity and visually assertive in design, follow the structural and stylistic principles that aspire to perfection. They are based on ideal proportions, precise lines, meticulous attention to detail, and a subtle harmony of materials and colors. A few years later, the House took inspiration from the emblem of perfection to introduce the Symbol collection. That was its first concrete application of the Greek letter Phi. Designed beginning in 1965 and sold for the first time in 1967, these watches remained in the Brand’s catalog until the mid-1990s. In the 2000s, the Design Studio became the embodiment of Baume & Mercier’s creativity, applying the notion of Golden Ratio in the development of its most emblematic pieces.


THE ’70S: CONTINUITY AND EXCELLENCE

AVANT-GARDE DESIGN AND THE PURSUIT OF PRECISION

Under the leadership of Ernest Stolz, followed by Jean-François Glauser, the House embarked on a decade of signature designs and consistently continued its pursuit of precision while remaining deeply loyal to its original essence.

1971 - THE TRONOSONIC, THE ADVENT OF THE ELECTRONIC WATCH

In 1971, Baume & Mercier launched the Tronosonic collection. These models were equipped with a tuning fork movement, the predecessor of the quartz movement that would transform the watch industry a few years later. Once again, the Brand was demonstrating its pioneering spirit and its intention to equip its timepieces with the most advanced technology available, offering precision on a par with the best mechanical movements of the time.

1972 - THE GALAXIE AND STARDUST, THE PEAK OF SHAPE WATCH DESIGN

As a cultural revolution was unfolding on Earth, mankind took its first steps on the moon. These were futuristic times, and the House – ever loyal to its identity – adapted to the codes of the time, launching a series of wildly bold watches. The Galaxie watch, more jewelry than timepiece, features an asymmetrical case with a design pared down to the extreme. The Stardust, adorned with 138 diamonds and an onyx dial, was awarded the prestigious Golden Rose of Baden Baden in 1973.

1973 - THE RIVIERA, SIGNATURE DESIGN

After developing the innovative technology of the Tronosonic in 1971, Baume & Mercier dropped a stylistic bomb in 1973. The unique design of the Riviera, created by Jean-Claude Gueit, is based on the idea of turning a circle into an unconventional shape by connecting the twelve numerals on the dial with straight-edged segments that delineate the outline of the case. With its emblematic name, evoking elegance and leisure, the Riviera won over a new clientele seeking avant-garde style, becoming the Brand’s flagship model for years to come. At a time when dress watches were invariably crafted in gold, Baume & Mercier initially opted for the strength and elegance of steel, to bring forth a watch that could go from the city to weekend sports. As the years went by, it brought forth gold and bicolor versions in addition to jeweled pieces.


THE ’80S – ’90S: A SURGE OF MODERNITY

PROLIFIC CREATIVITY AND FURTHER INTERNATIONAL RECOGNITION

In 1988, Cartier’s acquisition of Baume & Mercier allowed the House to benefit from the synergy of a Group while maintaining its autonomy and personality. Eugen A. Maier led the Brand, and was succeeded by Jacques-Philippe Auriol. During this period, Baume & Mercier reached a new level of international recognition: one that reflected the image of Eugen A. Maier, who spoke six foreign languages much like the multilingual Paul Mercier himself. The Avant-Garde, the Hampton, the Capeland, the Linéa... The ’80s and ’90s were a flourishing period characterized by creative effervescence, mingling shape design and watchmaking savoir-faire.

1986 - THE AVANT-GARDE COLLECTION

Baume & Mercier continued to challenge watchmaking codes, inspired by this Space Age era. The Avant-Garde collection encapsulates this historical period by seamlessly incorporating a blend of tungsten and gold accents within the same design.

1987 - THE LINÉA COLLECTION

The Linéa stands out for its round case featuring numerals engraved on the bezel, a streamlined design, and refined style. Inspired by the world of high fashion, it quickly became a watchmaking reference. Whether bicolor, crafted in gold, or set in precious stones, the Linéa conveyed a creative outpouring, much like the Marquise, as a symbol of the taste and savoirfaire of Baume & Mercier.

1991 - THE MALIBU, TRANSPACIFIC, AND TRANSATLANTIC

Baume & Mercier reconnected with its chronograph traditions through the Malibu collection, an array of technical and sporty chronographs launched in the early 1990s. That was followed by the Transatlantic model, the Brand’s most refined dress watch, which in 1997 developed into the Classima collection.

1994 - THE HAMPTON COLLECTION

Baume & Mercier broke new ground by positioning its new model, the Hampton, in the previously overlooked segment of steel shape watches. The rectangular Hampton model, inspired by period Baume & Mercier pieces from the 1930s to 1960s, heralded a new style for the Brand and watches in general. With its tight lines combining tradition with modernity, the slightly curved case nestles perfectly against the wrist. The collection takes its name from the Hamptons, a seaside resort near New York City. The Hamptons are associated with a casual yet refined lifestyle much like the French seaside resort of Deauville. The image of the collection is therefore similar to that of the Riviera, but with a transatlantic twist.

1997 - THE CATWALK COLLECTION

The youthful women’s fashion timepiece, Catwalk, was presented as a “bracelet that is also a watch.” It is an original redesign of the wristwatch which, at its peak, became a leading model for Baume & Mercier, both in terms of sales and image. Initially mounted on a polished steel bracelet, it went on to later feature a rubber or leather bracelet. Adorned in gold, it became a jewelry watch.

1998 - THE CAPELAND COLLECTION

A new men’s watch in 1998, Capeland, became the round steel version of the rectangular Hampton. After Baume & Mercier’s success in women’s timepieces with the Linéa, the Capeland took up the legacy of the Riviera and Hampton watches, elegant timepieces with a more casual style. It is named after an imaginary place, hinting at travel, adventure, discovery and stylistic research while expressing power and strength. “Cape” is suggestive of the ocean and exploration, while “Land” adds a grounding element. Equipped with a second time zone or an alarm, and available in steel and bicolor cases, the watch evolved into a dynamic chronograph that succeeded the Malibu models, as well as a sporty diving watch with a graduated rotating bezel.


THE 2000'S: CLASSICISM AND PERFORMANCE

EVOLUTION TOWARDS A RESOLUTELY MECHANICAL AESTHETIC

In the early 2000s, Baume & Mercier refocused on more classical pieces imbued with the savoir-faire that has won over watch lovers and collectors all over the world. The Swiss manufacture has drawn on its heritage, and on the aesthetic and precision of traditional watchmaking, to unveil collection after collection – such as the Classima and Clifton – that continue, still today, to write the present of Baume & Mercier.

2004 - CLASSIMA EXECUTIVES

The Classima collection, introduced in 1997, was rejuvenated in 2004 with a new name, Executives, which clearly indicates that it is intended for businessmen. The round case was modernized while maintaining the classic style, and was made available in an extra-large format (42 mm). Slender and elegant, it is equipped with a self-winding, hand-wound, or quartz movement, and features complications such as a second time zone, chronograph, and small seconds at 6 o’clock.

2013 - THE CLIFTON COLLECTION

Launched in 2013, the Clifton collection was designed for the elegant, contemporary urban man whose taste and bearing demonstrate great refinement. It evokes the spirit of the 1950s gentleman, carrying connotations of a supremely elegant attitude and dresscode. More than an allure, this vintage spirit embodies a deeper identity. Like the Clifton man, the 2025 version of the gentleman cultivates a refined lifestyle with discerning tastes and impeccable manners, reflected by the understated luxury of Baume & Mercier.

2018 - THE ADVENT OF THE BAUMATIC MOVEMENT

Unveiled in 2018, the Baume & Mercier manufacture movement is a magnificent embodiment of the House vision. High-tech, Swiss-made, and designed to meet the daily needs of clients, the Baumatic movement guarantees reliability, performance and comfort. Its resistance to everyday magnetic fields reaches 1,500 Gauss. Its high level of precision makes this caliber an everyday ally. It also features a remarkable autonomy thanks to its five-day (120-hour) power reserve and waterresistance to 5 ATM (approximately 50 m). Any timepiece equipped with a Baumatic movement offers the guarantee of dependability and expertise thanks to our 8-year warranty program.


THE 2020s: BAUME & MERCIER TODAY

DISCTINCTIVE SHAPES AND FIRST-RATE WATCHMAKING

For almost 200 years, Baume & Mercier has stood for high-end “Swiss Made” men’s and women’s watches that are bold in design, versatile in variety, genuine in craftsmanship, and innovative in technique. Its exquisitely subtle freedom of expression focuses on understatement and the elegance of a timeless, discreet, minimalist style that is easy to wear. Its watchmaking expertise is brought to the service of the client and made accessible to as many as possible through a wide variety of models. Whether simple or complicated, each is reasonably priced for such a high level of quality. The House represents discreet luxury, in the continuity of its legacy, where creativity meets precision in an exacting approach to time. In 2025, discover the bold lines of the House, where each creation expresses the perfect alliance between aesthetics and precision.